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Use Cases
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Resources
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Pricing
650 BCE - 480 BCE
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what:
Archaic smile
Heavily Stylized
forward stance
480 BCE - 323 BCE
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accurate idealized autonomy
stoic
contraposto
Female nudes
432 BCE
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323 BCE
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323 BCE - 0 BCE
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more natural
not idealized--shows age
complex but natural stances--eg: foot tilted up, head turned
gene figures
15 BCE
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0 BCE - 313
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Why: Preferred practicality over mathematical harmony; built onto nature rather than into it
What:
bricks and mortor instead of marble
arches, domes, arcade
Mixed orders rather than Greek unity
80 CE
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81 CE
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125 CE
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217
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313 CE
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313
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200 BCE - 80 BCE
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simulates expensive marble and architectural elements
80 BCE - 30 BCE
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Bright back grounds with long narrative scenes
20 BCE - 60 CE
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Thin delicate ornamentation
monochrome back ground
look like framed pic on wall
60 CE - 80 CE
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Compilation of all styles
500 - 1600
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Justine wanted to unify church and state under his leadership-->centrally planned churches that had symbols of both.
More spirtual--> golden back ground, lack of perspective; floating
537
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547
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730 - 834
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350 - 800
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Unlike Greek & Roman temples that were only for leaders of esoteric cults or high level clergy, the new christian churches had to accomodate lots of people that could worship together.
Therefore, adopted model of Basilica
390 CE
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800 - 900
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After Charlemagne's coronation, he wanted to solidify his imperial image with the arts. Combined Justinian elements of the centrally planned church, but incorporated the monumental symmetry and order of the Roman building
800
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805
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900 - 1000
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Roman influences-->metal work
1000 - 1137
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Pilgrimage for relics --> crowd control & keep crowds from monks
e.g. elimination of double apse
Murals and manuscripts: outline figures making relation in 3D harder. Flattened space and lively pattersn
1001
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1137 - 1195
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1195 - 1250
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1250 - 1350
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1350 - 1500
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1300 - 1350
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1350 - 1400
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1400 - 1500
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1500 - 1520
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1500 - 1600
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1520 - 1600
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1520 - 1600
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1600
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1) Linear vs. Painterly
2) Plainer vs. Recessional
3)multiple vs. recessional
4)closed vs. open
5) relativly Clear vs. rel unclear
1625
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1665
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1680
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1600 - 1725
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Why: Capitalistic wealth and anti-Roman Catholic
What: every type: genre, landscape, etc
1600 - 1725
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Why: Rebirth of optimism after mannerism; appeal to common man
What: incorporates the emotion of mannerism while returning to classical forms
1635
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1642
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1656
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1660
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1668
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1717
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1725 - 1775
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Why: Reaction to didactic art of past; emphasis on worldly pleasures rather than eternal salvation
What: Erotic; frivolity
1743
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1766
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1775 - 1850
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Why:
1)Re-instill patriotism as French Rev is about to happen
2)Discovery of Pompeii
3) Age of Reason
1785
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1789
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1793
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1800
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1800 - 1850
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Why: Generation missed Rev, frustrated; anti-royalist. Reaction to perceived failed values of enlightenment and French Rev
What: Itellect can't control nature; imagination > reason; Emotive, contemplative.
1814
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1819
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1820
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1823
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1830
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1835
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1527
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1746 - 1828
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Why: In response to experiencing war, rejected love, and tinnitus, Goya developed pessimism so he rejected idealization and showed how life really is.
What: Romantic elements: classical mythological allegory, but also realism in portraits, war, and love.
1799
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1814
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1840 - 1917
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Why: seemingly antithetical to other Neo-C, but he saw it as the logical conclusion of Neo-C
What: Realistic not idealized; hard to classify: impressionist, expressionist; influenced by Baudelaire--> man spiritually adrift
1850 - 1960
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Why: development of new materials glass, iron, re-enforced concrete allow for new types of buildings, form follows function
1851
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1879
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1889
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1895
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1909
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1928
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1849
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1850 - 1900
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Why: Compte's entomological claim of positivism: sensory experience is authoritative source of knowledge. Not divine intuition. Scientific knowledge. --> depictions of reality and the everyday
What: art of all classes of society and landscapes and still life
1857
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1865
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1872
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1875 - 1925
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Why: intellectual turbulence from existentialism and scientific discoveries. Emotional component of human perceptions of the world. The subject gives meaning to the world
1875 - 1925
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Why: response to photography--both depict reflections of light, show the world the way we see it. HAS COLOR
What: not textural differentiation btwn object; subject is light reflecting off objs not the objs themselves.
1882
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1886
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1889
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1889
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1893
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1900
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1904
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1907 - 1911
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Why:
1)Theory of Relativity--Can't see object independent of space and time; walking around and is process
2) Analytical: start with an object and analyize it from many angles
1907
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1911 - 1913
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Why: dislocation between past and present--painting what cannot be seen
1911 - 1919
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Why:
1)Theory of Relativity—Can’t see object independent of space and time; walking around and is process
2) Does not seek, but finds subject
1912 - 1919
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Why: nihilism in response to horror of WWI
1918 - 1933
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Why: attempt to solve society's psychosis by releasing Id, undermining the false dichotomy of the external world and internal sub-conscious
What Veristic:
Art is a type of research. Undermine divide btwn Dream and reality. Artist is positive instrument to allow internal realm to be objectified.
What Absolute: psychic automatism; abandoment of reason--> ladder reaching from one consciousness to another
1919
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1931
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1938
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1945 - 1960
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Why: abandoned project of Surrealism to change consciousness and just found harmony with ID; put focus on process not product
1960 - 1979
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why: change landscape
1960 - 1979
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WHy: new technique
1960 - 1979
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why: new technique
1960 - 1979
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why: opposition to ab exp; objecctive product over process