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Use Cases
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Resources
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Pricing
600 - 1200
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1200 - 1600
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101
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The Chinese invented paper somewhere around the 2nd Century. (Scribes & Illuminators, 1992, p.16)
600 - 800
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Till the 7th or 8th Century Papyrus was still being used but not in books. It was too brittle and flimsy to withstand a lot of page turning or even the pressure exerted from the sewing thread in a binding, but worked for scrolls. (Scribes & Illuminators, 1992, p.16)
1201 - 1600
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By the 13th Century paper mills were common in Spain and Italy. The mills became common in France by 1340, Germany by 1390, but not in England until later in the 15th Century. (Scribes & Illuminators, 1992, p. 16)
1300 - 1600
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By at least 1300, European paper-makers were twisting pieces wire and attaching them to the wire paper frames to make watermarks. (Scribes & Illuminators, 1992, p. 17)
1401
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By the 15th Century cheap books for clerics and students were more often on paper than on parchment. Other books that commonly used paper include texts books, popular tracts, sermon volumes, etc. (Scribes & Illuminators, 1992, p.16)
1450 - 1600
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In the later 15th Century paper is now used in all but the most luxurious books. (Scribes & Illuminators, 1992, p.16)
201 - 1600
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Made from oak galls and in use by the 3rd Century, it was not explained in manuscripts until Theophilus mentions it in the 12th Century. Most later manuscripts are written with it. (Scribes & Illuminators, 1992, p.32)
401 - 1500
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Red was always the secondary ink color, used for heading, running titles, initials, rubrics, & red-letter days. It was sometimes employed to mark mistakes. Use of red ink goes back to at least the 5th Century and flourished till the 15th. Printing killed the use of red (or any other colors for words).
Sometimes blue and green ink would be used as a third and fourth color, but they are not nearly as common. (Scribes & Illuminators, 1992, p. 33)
501 - 700
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Sometime around the 6th to 7th Centuries the switch was made from reeds to quill pens. (Bishop Isidore of this era says both are the tools of the scribe.) (http://wiesenfeuer.ansteorra.org/links/artsandsciences/useofquillpensbyisaacbane.pdf)
600 - 1300
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Carbon ink, made of charcoal or lamp black, was common in eastern and ancient cultures. It occurs in all medieval recipes until the 12th Century. Can be rubbed off more easily than oak-gall ink and is more translucent/shiny. (Scribes & Illuminators, 1992, p.32)
600 - 1200
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Dry point ( a method of scoring with a stylus or back of the knife) was used mainly until the 12th Century. Some scribes pressed so hard they cut through the parchment. (Scribes & Illuminators, 1992, p.23)
901
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10th Century fountain pens mentioned in Islamic records. (Western Writing Implements in the Age of the Quill Pen, 1990)
1101
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In his 12th Century book, Theophilus votes for goose feathers above swan for quills. (Scribes & Illuminators, 1992, p. 27)
1101 - 1400
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A 12th to 14th Century penknife found in the 1980s in the Thames is the only pre-16th Century pen-knife that has been found. (Western Writing Implements in the Age of the Quill Pen, 1990)
1101
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Around the 12th Century people started using graphite/metallic lead/silver (known as plummet sticks) for ruling lines. (Scribes & Illuminators, 1992, p. 23)
1201 - 1600
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Starting in the 13th Century and continuing till end of period both plummet and pen-ink were used for ruling. Sometimes multiple colors were used for a festive appearance. (Scribes & Illuminators, 1992, p.23)
1440
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In the Rhineland, experiments in printing begin. (History of Illuminated Manuscripts, 1997, p.9)
1465
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More advanced printing starts sweeping across Europe, moving from Germany to Italy in 1465. (History of Illuminated Manuscripts, 1997, p.9)
1470 - 1510
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Printing becomes more common as France starts printing in 1470 and is shortly followed by Spain and England. (History of Illuminated Manuscripts, 1997, p.9)
1510 - 1600
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Most books in Europe are printed during this time period. (History of Illuminated Manuscripts, 1997, p.9)
780 - 1300
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Some practical and scientific books in the Carolingian and Romanesque periods used only drawings for pictures and initials.
1101 - 1200
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Many 12th Century English manuscripts have tiny letters written on the underdrawing by the scribe. These indicated what color went where so that the artist/illuminator could know what the scribe had in mind for the painting. (Scribes & Illuminators, 1992, p.61)
1455
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The Gottingen Model Book suggests using very thin ink or thin black colour, polished with a tooth so that the lines take paint. (Scribes & Illuminators, 1992, p.51)
250
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Antiquity enlarges the 1st letter and color fills. (Scribes & Illuminators, 1992, p.45)
601
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Early Irish initials divide sections and mark them with large pen-work initials that include interlaced patterns and simple animals. The letters next to the initials stepped down to the appropriate sized text from the initial. (Scribes & Illuminators, 1992, p.45)
1300 - 1600
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Not a very common practice, but became more accepted during the Italian Renaissance (in Italy). (Scribes & Illuminators, 1992, p. 56)
1400 - 1600
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Now even the humblest texts have enlarged letters in lieu of chapter titiles, and slightly smaller initials for section headings. (Thus following the hierarchy of decoration, where different levels of status are apportioned to different sections because of the amount of decoration.)
(Scribes & Illuminators, 1992, p. 45)
1450
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Gottingen Model Book suggests using a brush everywhere except in checkered backgrounds. There one should use a pen and then heighten it with a brush. (Scribes & Illuminators, 1992, p. 62)
(http://www.gutenbergdigital.de/gudi/eframes/)
560 - 636
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Wrote Etymologia and in it says: "the instruments of the scribe are
the reed and quill." (http://wiesenfeuer.ansteorra.org/links/artsandsciences/useofquillpensbyisaacbane.pdf)
1149 - 1154
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Depicted as a scribe in a contemporary manuscript of his own works. (Scribes & Illuminators, 1992, p.37)
1425 - 1503
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Illuminator, who signed his work. Italian Renaissance. (Scribes & Illuminators, 1992, p. 56)
1460 - 1470
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Illuminator to the Sforza court in Milan in the 1460s and 70s.
1472
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A cannon of Lille and secretary to two Dukes of Burgundy, Philip the Good and Charles the Bold. Notable translator and scribe. (Scribes & Illuminators, 1992, p.36)
1483 - 1561
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One of the last and most highly regarded manuscript illuminators.(Scribes & Illuminators, 1992, p. 65)