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Use Cases
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Resources
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Pricing
1941
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1954
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with his family and developed an interest in the local museums and for the arts.
1958 - 1960
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attended a two year program in applied graphic arts. He learned typesetting, linocut and woodblock printing.
1960 - 1963
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hand composing. It was here that he first became familiar with Swiss typography and was soon an avid enthusiast.
1963
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1964
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Regarded it as "an impenetrable, cloister-like fortress," but later grew to appreciate his education.
1968
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intended to "challenge revered conventions and still respect the traditions and philosophies of Basel."
1972 - 1976
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Swiss type journal. Experiments with stretched out letterspacing and stepped text blocks.
1972
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1972
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Explores the essence of Swiss Style while offering alternatives.
1974 - 1996
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1977
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Ignites postmodern aesthetic in graphic design
1977
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Referring to Weingart's former students April Greiman, Dan Friedman, and Willi Kunz
1980
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Based on teachings at Basel School of Design
1981
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1985
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on teaching typography at the Basel School of Design
2000
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480 page monograph about his life's work.
2004
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1941
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1941
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1968
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1968
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1968
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1972
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1977
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1977
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1977
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1972
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1972
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Begins trend of scanlines in logos
1972
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Signals the end of Modernist Architechture
1977
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Hand scrawled and cut-and-paste type typical of punk rock aesthetic.
1980
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becomes Germany's largest design firm
1980
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1980
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1981
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becomes longest running ad campaign in history
1981
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1981
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1985
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