He was an English composer of polyphonic music of the Late Middle Ages - early Renaissance.
Was a composer and musician Franco-Flemish of the first Renaissance. As a central figure in the Burgundian school, he is the most famous and influential composer of the European music scene of the middle of the fifteenth century.
Was the main composer of the second generation of the Franco-Flemish school and one of the most influential and respected musicians of his time (he served three kings of France).
Was a Franco-Flemish composer of the Renaissance, considered the most famous European composer between Guillaume Dufay and Giovanni Pierluigi da Palestrina, and the central figure of the Flemish musical school.
He dedicated himself to a poet, musician and playwright of the Spanish Prerrenacimiento during the time of the Catholic Monarchs. It belonged, along with Juan de Anchieta, among others, to the first period of the so-called Castilian polyphonic school, one of the most important in Spain, and which best represents the polyphonic evolution in this country. It reached great lyrical height in its glosses and villancicos.re everything to the vocal polyphony.
Was a French musician of the Renaissance. He is considered one of the most famous composers of the popular chanson of his time, along with Claudin de Sermisy, and was very important in the development of the chanson parisina, especially of programmatic type. Its fame, due to the great divulgation that had its work, was possible thanks to the development of the musical impression.
Was a French composer of the Renaissance.1 Along with Clément Janequin was one of the most famous composers of chansons popular in French in the early sixteenth century, he was also a noted composer of sacred music. His music influenced and was influenced by contemporary Italian styles.
Was a Spanish composer and vihuelista.
It was mainly devoted to vocal polyphony.
Spanish Catholic priest and chapel master being the principal representative of the Andalusian polyphonic school and one of the three greats, together with Tomás Luis de Victoria and Francisco Guerrero, of the Spanish polyphonic composition of the Renaissance. His music is vocal and sacred, with only a few exceptions. He is undoubtedly the best Spanish composer of the whole first half of the sixteenth century and his fame, which spread immediately through Europe, survived during the following centuries.
Was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany.
Was an organist, harpist and Spanish composer of the Renaissance.
A Renaissance Italian composer of Catholic religious music, renowned for his polyphonic compositions.
A Spanish Catholic priest and a chapel master who along with Tomás Luis de Victoria and Cristóbal de Morales is one of the great names of Spanish Renaissance music of the Renaissance and one of the greatest Spanish composers of all time.
An Avila Catholic priest and a chapel master, a famous polyphonic composer of the Spanish Renaissance. He has been considered one of the most relevant and advanced composers of his time, with an innovative style announced by the imminent Baroque. Its influence goes until the 20th century, when it was taken as a model by the composers of Cecilianism.
Was a composer, gambista and Italian singer. It marked the transition between the polyphonic and madrigalist tradition of the sixteenth century and the birth of opera and lyrical drama in the seventeenth century. He is the most important figure in the transition between the music of the Renaissance and the Baroque.