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Use Cases
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Resources
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Pricing
450
% complete
Mesopotamia- earilest comp. Enhueduanna
476 - 1420
% complete
Gregorian Chant/plainchant: monoph., linear, modal
square notation: neumes, clefs, ligatures
theory: 2 modes, 4 finals, auth. & plagal
Byzantine/Gregorian/Ambrosian/OldRoman
Guido of Arezzo: solfege "ut" and hand, gamut (hexich.)
Mass proper&ordinary
French buskers=troubadours/trouveres
Contessa, Minnesinger, Valter von der Vogelvglie
1300 - 1370
% complete
guillume de Machaut
1350 - 1400
% complete
comp. gets creative and complicated
Baude and Cordier
1400 - 1600
% complete
1517
% complete
1517 - 1648
% complete
1600 - 1750
% complete
1600
% complete
1607- Monteverdi's brother pub. an explanation defending him
1605
% complete
(Monteverdi's 5th)
1607
% complete
1613
% complete
1660
% complete
1672
% complete
140
% complete
early Ren
revises old ideas into new thoughts
1300 - 1377
% complete
1390 - 1453
% complete
Top 15thcent. English composer
1397 - 1474
% complete
Nuper rosarum flores
1400
% complete
new tuning system
early Ren
1400 - 1460
% complete
top 15thcent. Burgudian comp
1400
% complete
early Ren
adds 2 more modes (Aeoliean and Ionian), now 12 total
1400
% complete
liber de contrapuncti
early Ren.
1420 - 1497
% complete
Franco Flemish comp.
known for unique masses:
- cantus-firmus masses, motto masses, requiem masses
- long phrases, overlapped voices, continuous flow, less predictable melodies
influ. by Dufay
served kings of France
few works- developed his own style meshing past w/present music
1435 - 1492
% complete
Franco Flemish comp.
known for chansons
- 3 voice in treble-dominated style
- used form fixes
- longer melodies, more imiation, equality btw. voices, constantly changing rhythms
also wrote masses
1450 - 1521
% complete
music expressed emotions-humanist\
Church of Notre Dame
imitative polyphony
chansons:
- no form fixes, 4-6 voices, strophic, 4-5 line poems
motets:
- show diversity of his stlye, variety of texts
-Ave Maria
-music crafted to fit words
masses:
- some secular cantus-firmus masses
- freely comp. double canons
- solimazation syllables
text expression: conveying emotions/mood
text depiction: reinforce visual images in text
1457 - 1505
% complete
Franco-Flemish comp.
Florence church comp.
lots of sacred works
pan-Euro sound
cycle of setting: chorahs constantinus
In Florence: carnival songs- canti carnascialeschi
In Germany: German Lieder (Italian style, adapted)
16th cent: homophonic texture w/imitative texture
1457 - 1505
% complete
Franco Flemish comp.
masses, motets, chansons, instr. pieces
imitation: frequent/extensive, cantus-firmus masses, series of imitative entrances
clear: tone centers, melodic ideas, structure/shape
1490 - 1545
% complete
16th cent. England
latin texts, hes Catholic but its ok, early enough in time
1496 - 1570
% complete
1500 - 1553
% complete
mannerist comp
1505 - 1585
% complete
16th cent. England
mostly anthems
1525 - 1594
% complete
"Prince of Music"
revised old chant books
words make sense- text declamation
masses: imitation, paraphrase, cantus-firmus, canonic, free
consonant and independent lines
suspensions, simple harmonies, cambiatas
1st style to be preserved/imitated "stile antico"
1540 - 1623
% complete
Top 16th cent. England comp.
Catholic but OK because he's so good, says Queen Elizabeth
Latin motets and masses
1545 - 1648
% complete
1548 - 1611
% complete
1553 - 1599
% complete
mannerist comp. (italian)
1567 - 1643
% complete
1653 - 1713
% complete