Renaissance Compossers

Cristóbal de Morales was born in Seville and, after an exceptional early education there which included a rigorous training in the classics as well as musical study with some of the foremost composers, he held posts at Ávila and Plasencia. All that is known about his family is that he had a sister, and that his father had died prior to his sister's marriage (in 1530). Others who lived in Seville were considered to be potential relatives of Morales. These include Cristóbal de Morales, whose position was to sing for the Duke of Medina Sidonia in 1504, Alonso de Morales, whose title was treasurer of the cathedral in 1503, Francisco de Morales (d 1505), a canon, and Diego de Morales, who was the cathedral notary in 1525.

was a luthier, from Cremona, Italy. Amati is credited with making the first instruments of the violin family that are in the form we use today.According to the National Music Museum in Vermillion, South Dakota:

It was in the workshop of Andrea Amati (ca. 1505-1577) in Cremona, Italy, in the middle of the 16th century that the form of the instruments of the violin family as we know them today first crystallized.

Several of his instruments survive to the present day, and some of them can still be played.Many of the surviving instruments were among a consignment of 38 instruments delivered to Charles IX of France in 1564.

Cabezón was born in Castrillo Mota de Judíos, a municipality near Burgos, in the north of Spain. Nothing is known about his formative years. He became blind in early childhood, and he may have been educated at the Palencia Cathedral by the organist there, García de Baeza. At the time, the country was slowly entering its Golden Age. On 14 March 1516, Charles V was proclaimed King of Castile and of Aragon jointly with his mother, the first time the crowns of Castile and Aragon were united under the same king. After the death of his paternal grandfather, Maximilian, in 1519, Charles also inherited the Habsburg lands in Austria, and later went on to become Emperor of the Holy Roman Empire and one of the most powerful monarchs in the world.

In 1525, Charles married Isabella of Portugal, further strengthening his position in Spain. It was Isabella who employed Cabezón into her service in 1526. His duties included playing the clavichord and the organ, and he also assumed the position of organist at the chapel Isabella organized soon after her wedding. The composer remained with the royal family for the rest of his life. Through the court, he met such important composers as vihuelist Luis de Narváez, known today for his advanced polyphonic fantasias, and Tomás de Santa María, theorist and composer whose important treatise on instrumental music, Arte de tañer fantasía, was examined and approved by Cabezón.

was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony. was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.[2] He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony. was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work has often been seen as the culmination of Renaissance polyphony.Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States. Documents suggest that he first visited Rome in 1537, when he is listed as a chorister at the Santa Maria Maggiore basilica. He studied with Robin Mallapert and Firmin Lebel. He spent most of his career in the city.

Guerrero's early musical education was with his older brother Pedro. He must have been an astonishing prodigy, for at the age of 17 he was already appointed maestro de capilla (singing master, i.e. music director) at Jaén Cathedral. A few years later he accepted a position in Seville. Apparently during this time he was much in demand as a singer and composer, establishing an exceptional reputation before his thirtieth birthday; in addition he published several collections of his music abroad, an unusual event for a young composer.

After several decades of working and traveling throughout Spain and Portugal, sometimes in the employ of emperor Maximilian II, he went to Italy for a year (1581–1582) where he published two books of his music. After returning to Spain for several years, he decided to travel to the Holy Land, which he finally was able to do in 1589. His adventure included visits to Damascus, Bethlehem, and Jerusalem; on the return trip his ship was twice attacked by pirates, who threatened his life, stole his money, and held him for ransom. His ransom must have been paid, for he was able to return to Spain; unfortunately he had no money, and endured a series of misfortunes including some time spent in debtor's prison; at last his old employer at Seville Cathedral extricated him, and he resumed working for them. His book on his adventurous visit to the Holy Land was published in 1590 and was a popular success (it is reasonable to suppose that Cervantes knew it). At the end of the decade he planned one more trip to the Holy Land but unfortunately he died in the plague of 1599 in Seville, before he was able to depart.

was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter-Reformation, along with Giovanni Pierluigi da Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer.Victoria was born in Sanchidrián in the province of Ávila, Castile around 1548 and died in 1611.Victoria's family can be traced back for generations. Not only are the names of the members in his immediate family known, but even the occupation of his grandfather. Victoria was the seventh of nine children born to Francisco Luis de Victoria and Francisca Suárez de la Concha. His mother was of converso descent.After his father's death in 1557, his uncle, Juan Luis, became his guardian. He was a choirboy in Ávila Cathedral. Cathedral records state that his uncle, Juan Luis, presented Victoria's Liber Primus to the Church while reminding them that Victoria had been brought up in the Ávila Cathedral.Because he was such an accomplished organist, many believe that he began studying the keyboard at an early age from a teacher in Ávila. Victoria most likely began studying "the classics" at St. Giles's, a boys' school in Ávila. This school was praised by St.Teresa of Avila and other highly regarded people of music.

Claudio Giovanni Antonio Monteverdi was an awe-inspiring Italian composer, singer and gambist. He was a revolutionary composer who pioneered the transition from Renaissance mode of music to Baroque era. He invented two distinct styles of composition – the heritage of Renaissance polyphony and the new ‘basso continuo’ technique of the Baroque. Monteverdi initiated writing one of the earliest operas, ‘L'Orfeo’, an imaginative work that is performed frequently even today. He became extremely popular as an ingenious composer and enjoyed considerable fame during his lifetime. He was an Italian priest as well as a musician and was engaged as a violist to the Duke of Mantua at an early age and also studied composition under ‘Ingegneri’, the duke's maestro di capella. He experimented with new techniques and created some incredible, breakthrough musical works in the midst of prevailing music of Renaissance period. He was the earliest composers to intentionally apply unprepared dissonances or fundamental discords. His harmonic innovations replaced the school of Palestrina and created new pathways for modern music.