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Use Cases
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Resources
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Pricing
1900
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Censorship applied only to images of Tsar, pornography, and (after 1905) to demonstrations/events of French revolution that oculd lead to political agitation
November 22, 1917
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almost immediately after Bolshevik coup; also known as Narkompros (Taylor 98)
July 17, 1918
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came at local level, Moscow Soviet demanded to see all advertising material used by cinemas in the city (Taylor 98)
August 1918
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Taylor 98
9 February 1923
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first censorship body devoted to Soviet films; GRK's censorship regime was mild in the 20s
1925 - 1930
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late 20s- for idealizing bourgeois decadence' or 'low morals' or films that showed crime/prostitution/other depravities (miller 53)
1925
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late 1920s onward--Jamie Miller
1925
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censorship of cinema began to fall under influence/control not just of state organs of censorship but also of Bolshevik party institutions (taylor 99)
March 1928
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o “Cinema, the ‘most important of the arts,’ can and must occupy an important place in the process of cultural revolution as a medium for broad educational work and Communist propaganda, the organization and education of the masses round the slogans and tasks of the party and their artistic education, wholesome rest and entertainment…Cinema, like every art, cannot be apolitical” (Taylor 101)
November 1928
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Miller 54
1929
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insignificant between 1920 and mid 30s; Miller 57
1929 - 1934
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between 1929 and mid 30s--> many soviet films banned, unusually high proportion of them from Ukraine, Belorussia, Georgia, Armenia, and other Soviet republics; most banned for their 'trivial' or 'banal' stories (quote on Miller 54)
1929 - 1931
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Miller 58
1930
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beumers 77
1930
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beumers 77
1933
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Miller
1933
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Miller 57
1933
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Spring 1933-->intended to control all film projects from early script and thematic stages through to production and release (Miller 60)
7 July 1933
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Alexei Stetsky (head of Agitprop) as chairman, party idealogues liek Andrei Bubnov and Sergei Dinamov as well as head of cinema industry Boris Shumiatsky (Miller 61)
August 1934
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at first Congress of Soviet writers (Taylor 101, also in beumers and faraday)
25 December 1934
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duties handed to Central Committee's Kultprosvetrabota (cultural and enlightenment work) department; key members (Stetsky, Bubnov, Dinamov, and Kosior executed within a few years) (Miller 62)
1935 - 1939
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miller 57
1935
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late 1930s onward (Jamie Miller
1936
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Miller 59
1936
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1936
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overseeing entire arts sector and film prodution beumers 99
1938
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Miller 55
1938
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Miller 59
June 1940 - August 1941
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Summer 40 to Summer 41, banned at least 17 features on grounds that they were politically defective (Miller 67) (taylor 103-4)
1941
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cinema industry had to be pretected and located (taylor 103)
1945
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taylor 103
1945 - 1949
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taylor 103
1946 - 1948
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beumers 107
March 20, 1946
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taylor 103
1953 - 1963
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March 1953
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taylor 104
1954
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beumers 115
1954 - 1966
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beumers 112
1956 - 1960
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foresaw investment in cinema instrastructure, studios, and cinemas beumers 115
1956 - 1960
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policies a mix between repression and benefaction (beumers 116)
February 1956
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taylor 104
1957
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118
1960 - 1974
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beumers 116
1963 - 1972
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Concerned above all with 'party spirit' (partiinost) and 'extremely puritanical and ultra-sensitive about 'bedroom scenes' (Steffen)
1963
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1963
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October 14 1964
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soviet authorities initiated general crackdown against intellectuals, apparently based on the perception by many Communist party leaders (esp. in Russia and Ukraine) that Khrushchev tolerated too much open dissent in the name of the Thaw and de-Stalinization (beumers 115)
1965
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beumers 141--> suspicion about parajanov began
November 1965
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Beumers 115
1967
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beumers 146
1967 - 1971
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beumers
July 1967
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within the organization to deal with internal political issues such as censorship and dissent (Steffen 78)
1972
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developing a stronger slate of commercial films (Steffen)
1982
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1983 - 1992
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1985
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taylor 105
11 March 1985
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beumers
1986
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beumers
1986
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intended to shakeup leadership and loosen controls under perestroika and glasnost (Steffen 10-11)
March 1986
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26 April 1986
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May 1986
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Taylor 105