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Use Cases
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Resources
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Pricing
Early Music History
Main
Council of Trent
1545 - 1563
% complete
Arbeau Treatise Orchesographie
1589
% complete
Dancing!
Notation
Earliest books of chant with notation
850 - 900
% complete
Church modes solidified
900
% complete
Heightened Neumes
900 - 1100
% complete
Guidonian Notation
1000
% complete
Mass Settings
People
Pope Gregory I
590 - 604
% complete
Charlemagne
768 - 814
% complete
Bernart de Ventadorn
1130 - 1200
% complete
TROUBADOUR
Leonin
1150 - 1201
% complete
Perotin
1170 - 1220
% complete
guesstimate
Comtessa de Día
1175 - 1225
% complete
trobaritz
Adam de la Halle
1240 - 1288
% complete
TROUVÉRE
Phillipe de Vitry
1291 - 1361
% complete
isorhythmic motet
Guillame de Machaut
1300 - 1377
% complete
Ars Nova
formes fixes
chansons
Ordinaries
Francesco Landini
1325 - 1397
% complete
Machaut contemporary
Ballata: AbbaA
John Dunstable
1390 - 1453
% complete
sacred motet
Guillame Du Fay
1397 - 1474
% complete
Josquin De Prez
1450 - 1521
% complete
Marco Cara
1465 - 1525
% complete
Isabella d'Este
1474 - 1539
% complete
Martin Luther
1483 - 1546
% complete
Claudin de Sermisy
1490 - 1562
% complete
French Chanson
Tielman Susato
1500 - 1561
% complete
churned out collections of French dance music
Jacque Arcadelt
1507 - 1550
% complete
Calvin
1509 - 1564
% complete
Cipriano de Rore
1516 - 1555
% complete
Middle Madrigalist
Attaingnant starts publishing
1530
% complete
Lassus
1532 - 1594
% complete
Elizabeth I
1533 - 1603
% complete
r. 1558-1603
William Byrd
1540 - 1623
% complete
Elizabeth I is his patron
writes anthems
Tomas Luis de Victoria
1548 - 1611
% complete
Carl Gesualdo
1561 - 1613
% complete
Late Madrigals
John Dowland
1563 - 1626
% complete
Thomas Weelkes
1576 - 1623
% complete
poesia per musica
Vizzana
1590 - 1662
% complete
Pieces
Viderunt Omnes (duplum)
1150
% complete
LEONIN
Ordo virtutum
1151
% complete
Hildegard of Bingen
Can vei la lauzeta mover
1170
% complete
Ventadorn
A Chantar
1175
% complete
Comtessa de Día
Viderunt Omnes (quadruplum)
1198
% complete
Perotin
Montpellier Codex
1275
% complete
major French motet manuscript
In arboris
1320
% complete
isorhythmic motet
Messe de Nostre Dame
1364
% complete
MACHAUT
first polyphonic mass to be written by a single composer and composed as a unit
Non avra me pieta
1375
% complete
Quam Pulchra Es
1415
% complete
John Dunstable
Squarcialupi Codex
1420
% complete
compendium of Italian Trecento music
richly illustrated
LANDINI
Christe, redemptor omnium
1430
% complete
DuFay
fauxbourdon
Last DuFay isorhythmic motet
1446
% complete
Se la face ay pale
1450
% complete
DuFay
cantus firmus mass
Ave Maria...virgo serena
1484
% complete
Josquin
Io non compro piú speranza
1500
% complete
Cara
Odhecaton published
1501
% complete
Petrucci
Missa Pange Lingua
1515
% complete
De Prez
Paraphrase mass
Cum essem parvulus
1579
% complete
sacred motet
Lassus
Sing Joyfully
1580
% complete
Byrd
almost all syllabic
Anthem
Flow My Tears
1600
% complete
based on lute piece
Dowland
Pavana Lachrymae
1600
% complete
based on Dowland's "Flow My Tears"
English virginal version
Triumphs of Oriana
1601
% complete
Collection of 12 pieces by 12 composers glorifying Oriana
Includes Weelkes' ridiculous piece
Genres
Notre Dame Polyphony
1150 - 1350
% complete
Leonin, Perotinus, Magnus Liber Organi
Stage I Motet
1200 - 1240
% complete
Stage II Motet
1220 - 1250
% complete
De la Halle Motet
1250 - 1300
% complete
Stage III Motet
1250 - 1300
% complete
Ars Nova
1300 - 1325
% complete
De Vitry
allowed duple division of notes
Double Leading Tone Cadence
1300 - 1350
% complete
Formes fixes
1300 - 1400
% complete
French song
text and music have particular patterns of repetition
Isorhythmic motet
1310 - 1450
% complete
The English Guise
1400 - 1435
% complete
Chorales
1520
% complete
Early Italian Madrigals
1520 - 1550
% complete
English Madrigals
1530 - 1600
% complete
Middle Italian Madrigals
1540 - 1580
% complete
Metrical Psalms
1550
% complete
Late Italian Madrigals
1570 - 1600
% complete
Lute Ayre
1598 - 1620
% complete