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Use Cases
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Resources
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Pricing
1820
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1824 Beethoven Symphony No 9. Used contrabassoon, three different trombones and added triangle, cymbals, and bass drum. Bass and cello lines were separated. Used the timpani melodically. Vocalists used in the finale.
The size of the orchestra was increased. Woodwind instruments were doubled and bass clarinet, contrabassoon, piccolo, and English horn were added. More brass were used and trombone and tuba were added. The percussion section was enhanced with bass and side drums, xylophone, celeste, gongs, cymbals, bells, triangle, and chimes. Harp was also introduced. More strings were used to balance the larger wind and brass sections.
1824
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Used contrabassoon, three different trombones and added triangle, cymbals, and bass drum.
1824
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Innovative use of of brass and individual woodwinds. Voicing of string parts changed.
1825
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Emphasized timbral qualities of instruments over unified whole.
1829
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Natural crescendo used predominantly in opera overtures. It combines the use of dynamics, rhythm, and instrumentation to slowly build intensity. Example: William Tell Overture.
1830
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Wrote music that emphasized the tone of individual instruments. Used harp, tuba, Eb horn, cornets, and multiple timpani
1843
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by Berlioz (Father of Orchestration). Orchestration became more complicated and more important to musical works as a whole
1845
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1813 - 1883
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Several ideas had an enormous impact on all of the arts, and his arts as a kind of religion
1850
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” Nationalism” style was created.
1850
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One of the new forms was symphonic poem, which was an orchestral work that portrayed a story or had some kind of literary or artistic background to it. Likewise, opera became increasingly popular. This allowed an element of fantasy to be used by composers.
1850
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The music of this time period was very expressive, and melody became the dominate feature. This became a driving force in the late romantic period, as composers used elements of folk music to express their cultural identity.
1850
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exceptionally gifted performers—pianists, violinists, and singers –became popular. For example, Liszt, Frank and Wagner were also virtuoso performers; their compositions would be extremely challenging to play.
1850
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As in any time of change, new musical techniques came about to fit in with the trends. Composers began to experiment with length of compositions new harmonies, and tonal relationships. What’s more, there was an increased use of dissonance and extended use of chromaticism. At this time, romantic music more focus on the use of color.
1860 - 1911
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1890
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1890
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utilized every possible resource for dramatic and color aspects
-sections with voice and chorus in his Lieder and Symphonies
-betrayed Romantic fascination with music’s possibilities of illustrating and enhancing literature
-had a dramatic quality and used inspiration from local folk sources and nature
-changed picturesque to vulgar or unpleasant sources
-unpretty representation using real cowbells played in and used as part of the percussion section