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Mar 31, 1685
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Johann Sebastian Bach was born in Eisenach, Thuringia, into a family with a long musical tradition. He was the youngest child of Johann Ambrosius Bach, a town musician, and Maria Elisabeth Lämmerhirt.
1694 - 1695
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Bach's mother died in 1694 and his father died less than a year later, leaving the ten-year-old orphan to move to Ohrdruf to live with his eldest brother, Johann Christoph Bach, an organist who gave him his first formal keyboard instruction.
1700 - 1702
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Bach won a scholarship to St. Michael's School in Lüneburg, where he sang in the choir and was exposed to a rich library of music and the organ culture of northern Germany, influencing his early development as a composer.
Image source: St. Michael's Church, Hamburg
Oct 1705 - Feb 1706
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Bach walked roughly 250 miles to Lübeck to hear the great organist Dietrich Buxtehude. The visit profoundly influenced his style, but he overstayed his leave by several months, angering his employers in Arnstadt.
Image source: Dieterich Buxtehude
Oct 17, 1707
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Bach married his second cousin Maria Barbara Bach. The couple would have seven children together, including future composers Carl Philipp Emanuel Bach and Wilhelm Friedemann Bach.
Image source: Maria Barbara Bach
Jul 1720
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While accompanying Prince Leopold on travels, Bach returned home to discover his wife had died suddenly and been buried. He married Anna Magdalena Wilcke, a gifted soprano, the following year; she bore thirteen children and assisted in copying his music.
1750
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Suffering from failing eyesight, possibly cataracts, Bach underwent two unsuccessful eye operations by the itinerant oculist John Taylor, who had also treated George Frideric Handel. The procedures worsened his health.
Image source: Johann Sebastian Bach
Jul 28, 1750
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Bach died in Leipzig at age 65 after a stroke, following complications related to his surgeries. He was buried in the churchyard of the Old St. John's Cemetery, and his death marked the end of the High Baroque era.
Jan 1703 - Jun 1703
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Bach briefly served as a court musician at the chapel of Duke Johann Ernst III in Weimar, his first professional post, where he performed violin duties before seeking employment elsewhere.
Image source: Weimar
Aug 1703 - Oct 1707
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At just 18 years old, Bach became the organist of the New Church in Arnstadt. His ambitious compositions and a notorious four-week leave to visit Dietrich Buxtehude in Lübeck brought him conflict with church authorities.
Image source: Arnstadt
1707 - 1708
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Bach took up the post of organist at St. Blasius's Church in Mühlhausen. During this short tenure he composed his earliest major cantatas, including 'Gott ist mein König,' and left after theological disputes between factions in the congregation.
Image source: Mühlhausen
1708 - 1717
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Bach returned to Weimar as court organist for Duke Wilhelm Ernst, later becoming concertmaster. This productive period saw him compose most of his great organ works, including Toccata and Fugue in D minor, BWV 565.
1717 - 1723
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Bach became Kapellmeister to Prince Leopold of Anhalt-Köthen, a Calvinist court that required little sacred music. Free to write instrumental music, he produced many of his finest secular works during this period.
Image source: Köthen
May 1723 - 1750
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Bach was appointed Thomaskantor in Leipzig, responsible for music at four churches and for teaching at the St. Thomas School. He held this demanding position until his death, creating an enormous body of sacred music.
Image source: St. Thomas Church, Leipzig
1729 - 1737
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Bach took over directorship of Leipzig's Collegium Musicum, a student musical society founded by Georg Philipp Telemann, performing regular public concerts at Zimmermann's coffeehouse featuring both new and older works.
Image source: Collegium Musicum
May 1747
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Bach visited the court of King Frederick II of Prussia, where his son C.P.E. Bach served. The king challenged him to improvise a fugue on a given theme, which inspired the Musical Offering, a collection of canons and fugues dedicated to Frederick.
Image source: The Musical Offering
1708
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One of the most famous works in the organ repertoire, the dramatic Toccata and Fugue in D minor was likely composed during Bach's Weimar period and has become emblematic of Baroque organ music.
Image source: Toccata and Fugue in D minor, BWV 565
1713 - 1717
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During the Weimar period Bach compiled the 'Little Organ Book,' a collection of chorale preludes intended as instructional material, showcasing his contrapuntal mastery in miniature form.
Image source: Orgelbüchlein
1721
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Bach completed six concertos dedicated to Margrave Christian Ludwig of Brandenburg-Schwedt, presenting them in hopes of patronage. Though ignored by the Margrave, they are now considered masterpieces of the concerto grosso form.
Image source: Brandenburg Concertos
1722
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Bach completed the first book of the Well-Tempered Clavier, containing 24 preludes and fugues in all major and minor keys. The work demonstrated the possibilities of well-tempered tuning and became foundational for keyboard pedagogy.
Image source: The Well-Tempered Clavier
1723 - 1729
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In his first years in Leipzig, Bach composed and performed a cantata nearly every Sunday and feast day, producing over 200 cantatas, including famous works such as 'Christ lag in Todesbanden' and 'Wachet auf, ruft uns die Stimme.'
Apr 7, 1724
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Bach premiered the St. John Passion at Good Friday services in Leipzig's St. Nicholas Church, one of his first large-scale sacred works there, setting the Passion narrative from the Gospel of John.
Image source: St John Passion
1727
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Bach completed the St. Matthew Passion, a monumental oratorio for double choir and orchestra setting the Gospel of Matthew's Passion narrative. It premiered on Good Friday 1727 and is now regarded as one of the supreme achievements of Western music.
Image source: St Matthew Passion
1740 - 1749
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Bach worked during his final decade on The Art of Fugue, an incomplete exploration of contrapuntal possibilities based on a single theme. Left unfinished at his death, it is considered the ultimate summation of fugal art.
Image source: The Art of Fugue
1741
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Bach published the Goldberg Variations, BWV 988, an aria with thirty variations for harpsichord, as the fourth part of his Clavier-Übung series. It remains one of the most celebrated sets of keyboard variations ever written.
Image source: Goldberg Variations
1749
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Bach assembled and completed his monumental Mass in B minor near the end of his life, drawing on decades of earlier work. Never performed in full during his lifetime, it is now regarded as one of the greatest choral works ever composed.
Image source: Mass in B minor
1782 - 1800
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Through publications like the Well-Tempered Clavier, Classical-era masters including Mozart and Beethoven encountered Bach's counterpoint. Beethoven famously called Bach the 'immortal god of harmony.'
Mar 11, 1829
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Felix Mendelssohn conducted the Berlin Singakademie in a revival of the St. Matthew Passion, nearly a century after its premiere. The landmark performance sparked a major revival of interest in Bach's music across Europe.
1850
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Fifty years after Bach's death, scholars founded the Bach Society in Leipzig with the goal of publishing his complete works. By 1899 it had issued all known Bach compositions, making his full output widely accessible.
Image source: Bach Gesellschaft
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